Virgin Milk was a famous face wash used during the Regency and was made from tincture of benzoin resin. This was a gum obtained from the bark of several species of trees in the genus Styrax:
A few drops of the tincture in a glass of water produced a milky mixture with a slight perfume, which was then used to wash the face. It was also claimed to rid the skin of pimples, freckles and eruptions.
Other facial washes or toners included waters made from flowers like lavender, orange or rose.
Also called a face wash, but used more like a face mask, was this Regency cosmetic recipe. Firstly, one would pound equal amounts of melon, pompion (pumpkin), gourd and cucumber seeds into a flour/meal. Secondly, enough fresh cream would be beaten in to create a paste before, finally, milk was added as required to make an ointment. This paste was applied to the face and left for 30 minutes, before being washed off with warm water.
Unction de Maintenon was an ointment used to remove freckles. It was named after the wife of Louis XIV, Madame de Maintenon.
The ointment was made from 1 oz of Venice soap, 1/2 oz of lemon juice, 1/4 oz oil of bitter almonds, 3 drops of oil of rhodium and 1/4 oz de-liquidated oil of tartar. It was applied at night, after the face had been washed with elderflower water, and removed in the morning with rose-water.
To cleanse and brighten the hair, egg whites were beaten until they formed a froth. This was then applied to the hair in the morning and left to dry; after which, the hair and head was washed with a mixture of rum and rose water.
Paste of Palermo was a paste for the hands to use instead of soap to smooth and soften the skin:
“Take a pound of soft soap, half a pint of salad oil, the same quantity of spirits of wine, the juice of three lemons, a little silver sand, and a sufficient quantity of that perfume please the sense. The oils and soap must first be boiled together in an earthen pipkin. The other ingredients to be added after boiling; and, when cool, amalgamate into a paste with the hands.” 
Lip Balms & Pomades
Uncoloured lip balm or salve was made to soothe dry and chapped lips. Honey was a popular ingredient in a soothing balm, and would be mixed with rose or lavender water (or similar) and a soft wax.
Coloured lip pomade had red powders added to the melted fat, wax and/or oil base, which was then left to set in suitable pots.
Rouge was made in similar way to lip salve – that is, powdered red pigments were added to a fatty base and set in pots. The powders used in cosmetic recipes during the Regency era to colour rouges and lip pomades included vermilion, carmine, alkanna root, red sandalwood and saffron.
Having a tan was not the done thing for Regency ladies. Therefore, various cosmetic recipes were produced during the Regency to “take off the effects of the sun and render the complexion brilliant”.
Pommade de Seville was one such recipe. An equal mix of lemon juice and egg whites were beaten together in a “varnished earthen pipkin” and stirred over a slow fire. The finished product had the consistency of a soft pomade and could be perfumed before applying to the face.
Talc White could be made at home using a piece of Briançon chalk, preferably of a pearl-grey colour. It was prepared over a few weeks, resulting in a fine, white face powder. First, the chalk piece needed breaking down into powder:
“…rasp it gently with a piece of dog’s skin; after this, sift it through a sieve of very fine silk, and put this powder into a pint of good distilled vinegar. ” 
After this, the powder was bottled and shaken daily for a fortnight. The chalk powder was then left to settle for a day, after which the vinegar was poured off. The powder was placed in a pan and washed with filtered water, simply by stirring it with the water. It could be washed several times.
Once the powder was thoroughly washed, it was left to dry in a place where it was not exposed to dust. Sifting it again through a silken sieve would help make the powder finer, and ready to use:
The finished powder was applied with either a finger, a piece of paper or a hare’s foot. Alternatively, a small amount of the powder could be added to ointment.