This is our guide to set etiquette for makeup trainees. Being on a film or television shoot for the first few times can be overwhelming. There’s jargon, tonnes of kit and loads of people. You have to know when to be quiet and get out of the way. There’s an unwritten code of conduct for being on set. Here are some of the things to know and do, plus what to avoid when you first go on set. Ultimately, giving the right impression is key to getting more work.
The Day Before a Call
Be prepared – look at the call sheet and arrive on time!
- Know where you are going – it’s easy with mobile phones, sat navs, and online maps to check the route you need to take. Also, check how long it will take and add extra time for travelling. The call sheet will give the address of the unit car park where everyone needs to go unless you have permission to park somewhere else (for example, to unload kit). Do this preparation the day before, not in the morning when you need to leave.
- The time you need to arrive – know what time you need to be in the makeup trailer – then factor in parking, moving kit, and finding the trailer. In a word – give yourself plenty of time to be on time. Consistent lateness will annoy your department – and you will not be employed by anyone on the team ever again.
- Weather and clothing – look at the call sheet, as the expected weather is noted on there. With this in mind, take appropriate clothing for the whole filming day. Always have waterproofs and warm clothing to hand – a sunny day can soon get cold – and vice versa. In any event, it’s not a fashion show – if you turn up inappropriately dressed, you’ll look like an idiot.
- Health and safety – wear enclosed shoes for health and safety reasons. Tie long hair back and don’t wear big rings (they get caught in hair or costumes) and clanky jewellery (annoying when clanking in an actor’s ear).
- Prep your kit – have the right items for the work expected – a good designer or supervisor will tell you what you are doing. Likewise, ensure your kit and set bag are clean and organised. Always assume that instructions will change as well, so be well prepared.
- Prep and research – have an overview of the production and story. For example, think about the period and genre it involves. Are there any special effects needed? Always have a file of reference material to hand to take with you.
Call Day & Arrival
Park as directed and get to where you need to be.
- Park where directed – there will be people from locations to tell you where to park. Follow their instructions, as they often have to park a lot of people in a small area. Always keep access routes free. If you have a lot of kit to unload, ask to be as close to the unit base makeup trailer/room as possible – you may be able to unload first, then go park.
- Find the makeup department – if it’s your first day, find where you need to go and who you check in with. ADs and runners are on hand at the unit base to direct people to the right place – find them and introduce yourself. Ask for the makeup department or the MUA you need to speak to if you need to.
In the Makeup Trailer
Be useful, but don’t be a nuisance!
- Know the etiquette – makeup tents, trailers or rooms are full of kit, people coming in and out, and those doing hair and makeup. Therefore, understanding etiquette is vital.
- Set up efficiently – If you’ve been allocated a workstation, set up promptly and be organised. Put your personal belongings away. Don’t block access, fire routes, or things like cupboards.
- Turn off your phone and put it away – you are at work! It’s not professional to check your email, messages or Facebook, except during lunch. Even if others have their phones out, you should still put yours away. Don’t take it to set, unless the designer or supervisor has told you to. Be aware that mobiles can interfere with sound equipment – it’s annoying for the sound recordist to keep asking people to switch off their phones.
- Tread lightly – makeup trailers can be very bouncy, so walk lightly. Go up and down the stairs carefully and don’t slam doors. For instance, if a makeup artist has a brush by someone’s eye, they’ll not appreciate you doing a baby elephant in the trailer.
- Know where things are – know where things are stored so you can restock or get an item in a flash. Know where to find the tea and coffee, spare towels and so on.
- Find a place to be – don’t be in the way, but pay attention to what is going on. When someone asks for something, get it with enthusiasm and fetch! When the designer is talking to an AD, actor, or director about a filming-related matter, they don’t want you sticking your nose in. However, general trailer chit chat is different, and it’s OK to join in and be social.
- Do your duties – whatever they are. Some designers communicate, others are far less helpful and you need to be psychic. Either way, the usual things a trainee does includes making drinks, cleaning and tidying up, continuity printing, prepping for another makeup or de-rig. What a designer doesn’t want is you thinking you know more – you do not.
What the Makeup Team Does During Filming
Pay attention – watch, listen and learn.
- Blocking – the director, actors (or stand-ins) and 1st assistant director (1st AD) will discuss the scene, maybe block it and decide on artistic and technical aspects. Heads of departments will watch, when called for, to see the final block to understand what is needed. Unless your supervisor has asked you to be there, you stay well out of the way and be quiet.
- Technical set up – the technical people (sparks, riggers, camera, and lighting) will set up. Everyone else moves out of the way. Actors go back to their trailer or have a drink. Now is time to have a clean-up and a cup of tea – and offer to get your teammates one.
- Actors called to set – once everything technical is ready to start filming, the actors are called back to set. You go with any actors you are responsible for.
- Positions – the 1st AD calls “positions”, meaning “everyone, go to where you need to be”. You are on standby – that is, waiting for just before the scene gets filmed to go in and do checks. There may be a rehearsal or final discussions. Be quiet when the director is discussing the shot with the actors.
- Going for a take and checks – once the actors and director are ready to go for a take, the 1st AD will call for “checks” (or “final checks”). Now, the artistic departments go in to do their last-minute tweaking. For example, remove hairnets, put hair into the correct starting position for continuity, top-up lip products, powder, and so on. If you need to spray something, be very aware of costumes, cameras and people. Always shout “spraying” before you spray something. Do checks calmly and efficiently – don’t panic and rush. As soon as you have finished, calmly walk off the set.
- The scene is filmed – during which you stand out of the way, keep still and be silent. Keep out of the actors’ eye line and don’t make eye contact. Don’t crowd around the monitor – as a trainee/assistant, you do not need to see this and can stand back.
- Cut – when the director or 1st AD shouts “cut”, it is the end of that take. Stay where you are. Wait to see what the 1st AD says, or what your makeup supervisor asks you to do. There may be another take, or the scene may be complete. If so, the 1st AD may say “moving on” and should tell everyone what is happening next. Sometimes one has to be psychic!
- Getting continuity pictures – once a scene has been filmed, this is the time to get continuity photographs. The actors and ADs know this has to happen. If you use a flash, say “flashing” loudly, so everyone knows that a bright light is about to happen. If a scene is going again right away, you cannot get in to take pictures just yet.
And…. it all starts again! You need to listen, watch and pay attention. Stay out of the way, watch where and when you talk, and keep silent and still during a take. If you sit around looking bored or playing with your phone, think about what kind of impression you are making.
See something – say something!
- See something – say something! Safety in any workplace is ultimately everyone’s responsibility. On a film set, many people have key responsibilities to keep the production safe for everyone involved. They include the producer, the 1st AD, stunt coordinators, firearms experts (when dealing with weapons), any special effects teams (meaning those who are responsible for rain, snow, fire, explosions effects), and all HODs.
- Read the call sheet – it should include copies of risk assessments relating to unusual or difficult locations or filming conditions. Read them.
- Work safely in your environment – for example, sweep up hair and clean up spills immediately, remember that certain makeup products are flammable, and don’t kill everyone in the trailer with a cloud of hairspray.
- If you see something that is not safe – do something. Deal with it, but only if safe and appropriate to do so. Otherwise, inform your supervisor, HOD or someone nearby who can help, like one of the AD team. Ultimately, do not be frightened to speak up. And if you are ignored, go and speak to someone who does give a damn.
Some Filming Terminology
There is a ton of jargon on set, but here are some of the commonly used words or phrases to get you started.
How a Shot is Called
The 1st Assistant Director (1st AD) is responsible for running the set on time and communicating with everyone what is going on. They do this with a series of calls:
- Positions – when the 1st AD shouts this, the actors get into their starting position for that scene. The crew is on standby, waiting to go.
Checks – the 1st AD shouts this to let the cast and crew know that shooting will start shortly. It is the chance for everyone, including makeup, to do their checks.
Quiet, please – means “everyone shut up and stand still – we are about to roll camera.”
- Turn over – this tells the camera operator and the sound person to hit record on their equipment. Once the camera is recording, the operator says “speed”. The sound technician will also say “speed” once the sound equipment is recording. The 2nd AD will then step in front of the camera with a clapper board. They call the scene and take number, followed by a clap of the clapper board. They then get out of the way.
Action – contrary to popular belief, the director does not shout “action” – it is called by the 1st AD. Once the 1st AD has called “action”, the actors will perform the scene until the director shouts “cut”. The camera and sound technicians stop recording.
Other Common Film Set Terms
Common phrases and words you will hear on set:
- Call sheet – a document that the 2nd AD produces for just one day’s filming. It outlines all information relevant to that day. For instance, it lists the call time, scenes being shot, when actors arrive to set, locations, any extra crew/set visitors, the weather, meal times and unit base address. It’s handed out at the end of each day’s filming and is relevant for the next day of filming.
- Closed set – when there is nudity or a scene of a sensitive nature, the actors or director may request a closed set. It means only essential crew are allowed on set.
- Dailies – for hair/makeup, this means the extra staff employed to deal with crowd scenes. So if someone is a daily, they are there to do makeup/hair for the background artists.
- De-rig – at the end of the filming day, all the actors need to be cleaned up and the makeup trailer cleaned and tidied.
- DFI – when instructions to the crew suddenly change. For example, a shot is being set up but, for whatever reason, minds change and another shot setup is required. You may hear people saying “DFI”. Quite simply, it means: “Different F**king Instruction”.
- HOD – means “head of the department”. The makeup designer is the head of the makeup department.
- Honeywagon – the toilets.
- Sides – an A5 printout of the day’s filming schedule. The call sheet is on the top, with the relevant scenes attached underneath. Sides are handed out at the start of each day’s shooting.
- Split day – means that the filming day is part daytime and part evening/night. So, filming may start at 2 p.m. and end at 2 a.m. the following morning.
- Unit base – also known as trailer city. It’s where all the trailers are located, including makeup, costume, artists, catering, and the honeywagon. It’s where you go first thing to find the makeup department and usually where you have lunch.
- Video village – the nickname for where the monitor is situated. The director and script supervisor sit there, along with senior staff from makeup, props and costume. However, it often attracts a crowd of people, and most do not need to be there.